Gregory KneidelJohn Donne and early modern legal culture : the end of equity in the Satyres
Duquesne University Press (Col. Medieval and Renaissance Literary Studies), Pittsburgh, Pennsylvania, 2015, 211 pp.
Though law and satire share essential elements — both aim to correct individual vice, to promote justice, and to claim authority amid competing perspectives — their commonality has gone largely unexplored by both legal theorists and literary critics. Gregory Kneidel, in this thoroughly original work, finds that just such an exploration leads to fascinating new insights for both fields of study.
Reversing the more common association of satire with illegality, especially with libel, Kneidel takes as his test case the five formal verse satires written by a young John Donne in the mid-1590s. The Satyres, a highly regarded but difficult and little-studied group of poems, appeared just as “legal culture” was beginning to emerge in something like its modern, secularized form. By placing the Satyres within the broader historical narrative explaining the triumph of the Anglo-American common-law tradition over other legal jurisdictions, Kneidel demonstrates, too, that Donne was clearly informed about and interested in the legal controversies of the time, those that pitted the common-law tradition against ideas of equity as well as Roman civil and canon law, parliamentary legislation, and royal prerogative.
In fact, Kneidel argues, Donne clearly conceived of his satires as a supplement to — or even a form of — early modern law. The poems specifically engage with jurisprudential conflicts over the role of equity amid the numerous other forms of law that dominated the English legal landscape, as equity was just then losing its independent status and being absorbed by the common-law tradition. Like satire, equity considers and attempts to bridge the distance between justice and law, taking into account the unique circumstances of individual cases. Thus, by examining this argument about the rivalry of equity and law within Donne’s satires, we achieve a much clearer picture of the complexities of that historical moment, together with a fresh and insightful addition to the growing field of literature and early modern legal studies
1 -- Law, desire, closure: Donne's Satyre
2 -- Land, feudalism, lawyers: Donne's Satyre
3 -- Fear, consent, fathers: Donne's Satyre4 -- Access, information, courts: Donne's Satyre
5 -- Office, administration, justice: Donne's Satyre
Gregory Kneidel is associate professor of English at the University of Connecticut. He is the author of Rethinking the Turn to Religion in Early Modern English Literature and currently serves as the associate general editor and textual editor of The Variorum Edition of the Poetry of John Donnne
John Donne (1572-1631). Poeta metafísico inglés escribió elegías, sonetos, epigramas, Poesía amorosa y religiosa. Conocido sobre todo por sus sermones, fue en su juventud un espíritu disipado que tornó en muy religioso durante su madurez
John Donne, por William Marshall (1649). National Portrait Gallery, London
He aquí los poemas 'A Funeral Elegy' y 'The Good Morrow' en las voces de Vanesa Redgrave y Richard Burton.
Por lo demás, la cubierta de la obra de Kneidel aprovecha uno de los frontispicios que adornan la de Georg Adam Struve (1619-1692) titulada Syntagma juris prudentiae secundum ordinem Pandectarum concinnatum [Francofurti et Lipsiae: sumptibus B.J. Hoffmani haeredum, 1718 (editio secunda), 5 v. ].
Su consulta es accesible en: http://cujas-num.univ-paris1.fr/ark:/45829/pdf0607001123