27 ago. 2015

Del arte sufriente. Supplicio et maxima coertione.

Death, Torture and the Broken Body in European Art, 1300-1650
John R. Decker (ed.)
Ashgate, Burlington. 2015, xv, 264 pp. 77 ill.
ISBN: 9781472433671

Bodies mangled, limbs broken, skin flayed, blood spilled: from paintings to prints to small sculptures, the art of the late Middle Ages and early modern period gave rise to disturbing scenes of violence. Many of these torture scenes recall Christ’s Passion and its aftermath, but the martyrdoms of saints, stories of justice visited on the wicked, and broadsheet reports of the atrocities of war provided fertile ground for scenes of the body’s desecration. Contributors to this volume interpret pain, suffering, and the desecration of the human form not simply as the passing fancies of a cadre of proto-sadists, but also as serving larger social functions within European society.
Taking advantage of the frameworks established by scholars such as Samuel Edgerton, Mitchell Merback, and Elaine Scarry (to name but a few), Death, Torture and the Broken Body in European Art, 1300-1650 provides an intriguing set of lenses through which to view such imagery and locate it within its wider social, political, and devotional contexts. Though the art works discussed are centuries old, the topics of the essays resonate today as twenty-first-century Western society is still absorbed in thorny debates about the ethics and consequences of the use of force, coercion (including torture), and execution, and about whether it is ever fully acceptable to write social norms on the bodies of those who will not conform.

JOHN R. DECKER: Introduction: Spectacular unmaking: creative destruction, destructive creativity.

Part 1 Holy Violence, the Creation of Martyrs

ASSAF PINKUS: Guido da Siena and the four modes of violence.
MITZI KIRKLAND-IVES: The suffering Christ and visual mnemonics in Netherlandish devotions.
SOETKIN VANHAUWAERT: A chopped-off head on a golden plate: Jan Mostaert’s Head of Saint John the Baptist on a Plate Surrounded by Angels.
KELLEY MAGILL: Reviving martyrdom: interpretations of the catacombs in Cesare Baronio’s patronage.
NATALIA KHOMENKO: The authorizations of torture: John Bale writing Anne Askew.

Part 2 Social Violence, the Creation of Civic Identities

RENZO BALDASSO: Killing and dying at The Death of Decius Mus.
HEATHER MADAR: Dracula, the Turks and the rhetoric of impaling in 15th- and 16th-century Germany.
ALLIE TERRY-FRITSCH: Execution by image: visual spectacularism and iconoclasm in late medieval and early modern Europe.
MAUREEN WARREN: A shameful spectacle: Claes Jansz Visscher’s 1623 news prints of executed Dutch ‘Arminians’.
JOHN R. DECKER: Conclusion: closing thoughts.


John R. Decker is Associate Professor of Art History at Georgia State University, USA, and author of The Technology of Salvation and the Art of Geertgen tot Sint Jans (Ashgate, 2009). Mitzi Kirkland-Ives is Associate Professor of Art and Design at Missouri State University, USA.

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